I can see the potential value of the job-jackets concept-they can help production staff preflight a document before output, and provide a template file with more information than a standard QuarkXPress template- but the difficulty of creating job tickets makes them less useful for rank and file designers. Once Quark showed me how to create job tickets from existing documents via a complex dialog box sequence, I found it fairly straightforward to create more-but most users won’t get that extra handholding, and the documentation doesn’t go into sufficient detail. And in fact Quark expects that highly skilled production staff and vendors will likely provide these tickets, often writing them directly in XML-which limits this feature’s use to large organizations with programming-savvy production staff. But that process is also less than intuitive, because the user interface assumes knowledge of XML data structures. Quark acknowledges that the feature works best if you have QuarkXPress create a job jacket based on an existing layout, rather than trying to create a job jacket from scratch. ![]() In Illustrator, choose Window > Type > OpenType and then click the panel’s fly-out menu to get a list.Unfortunately, the process of creating job jackets is unintuitive. To find them in Photoshop, choose Window > Character, click the panel’s fly-out menu, and choose OpenType to reveal a list of options. Photoshop and Illustrator lack stylistic sets, but they have contextual, stylistic, and titling alternates, which are worth exploring. In Adobe applications, enabling each alternate individually provides different combinations of characters, as does enabling more than one at the same time. InDesign’s OpenType menu also provides options for swash, contextual alternates and titling alternates. To apply a different set, deselect the first one and then pick a different one (a frustratingly tedious procedure)-you can apply multiple stylistic sets, sometimes a character or two will change but sometimes not. Click the fly-out menu at the panel’s upper right, choose OpenType > Stylistic Sets and then pick one of the non-bracketed sets (those with brackets aren’t available in the current font). To access stylistic sets in InDesign, choose Window > Type & Tables > Character. Here you can see the alternate glyphs for an “F” in Adios Script Pro in InDesign. Double-click an alternate’s thumbnail to swap them out. In the panel that opens, click the Show menu and choose Alternates for Selection. ![]() To access alternate glyphs in Adobe InDesign or Illustrator, choose Window > Type & Tables > Glyphs in Photoshop, choose Window > Glyphs. Using Adobe InDesign, Illustrator, and Photoshop Adios Script Pro was used here notice the difference in the “a” and “r” in set 6. Unfortunately, Word doesn’t indicate which sets are available for your font, so you have to try them all to find one that works. The switch for contextual alternates lies beneath that menu. To do that, choose Format > Font and in the dialog box that opens, click Advanced and then click the Stylistic Sets menu. You can’t access alternate glyphs in Microsoft Word, but you can access stylistic sets and contextual alternates in Word 2010 and higher. the fancier versions using glyphs in Alternate 2 (bottom). Note the difference between the H and the L using regular Bickham Script Pro (top) vs. However, to try out the features in this column without spending money, download Gabriola, a free advanced OpenType font from If you subscribe to Adobe’s Creative Cloud, you have free access to advanced OpenType fonts through TypeKit. Sudtipos (the maker of your author’s favorite, Adios Script Pro) and other font developers. If you don’t have any, you can buy them from If your Mac has a font with Pro in its name, it’s probably an advanced OpenType font (in Adobe apps, you can find them by entering “pro” into the font name field). If you bought the font, then you’ll know however, some are automatically installed with Adobe applications. To swap glyphs, you have to start with an advanced OpenType font so the biggest challenge may be figuring out which of your installed fonts qualify. Initially, you needed pro-level software to access advanced OpenType features but not anymore. Some fonts also include more typographic substitutions in the form of additional alternate glyph sets named contextual alternates, swash alternates, and titling alternates. ![]() To aid you in locating alternate characters that look good together, some advanced OpenType fonts include stylistic sets, specific combinations of alternate characters chosen by the font designer.
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